Saturday 30 May 2020

Cannibal Holocaust - The Blair Witch's grandfather

It's impossible to talk about Cannibal Holocaust without mentioning The Blair Witch Project.  Blair Witch is (wrongly) labelled as `inventing' the `found footage' genre, when, in fact it simply `rebooted' it.  Cannibal Holocaust did it almost twenty years previous.

We hear at the beginning how four young film-makers travelled deep into the jungle, only to never be heard from again.  A professor, curious as to their fate, retraces their path and finds their footage.  What you have here is two stories in one.  You have the more `traditional' Hollywood story-telling of the professor talking to TV executives about showing the found footage on network television and the footage which was retrieved from the jungles (first person, ala Blair Witch).

I only got to see the edited UK version of this film, but the footage, both from the professor who follows them and the film-makers themselves remains as shocking today as it was at the time.  Cannibal Holocaust was banned at the time of release and even had claims of being a `stuff' film (i.e. one where real people are killed on camera).  This maybe untrue, but viewers should be warned that, although the people who die are all just covered in fake blood and prosthetics, REAL animals were killed for the making of the film.  Those with strong views on this may wish to steer clear.

However, the animal cruelty is only fleeting.  What you have are pretty strong scenes of torture which make the Hostel franchise seem tame in comparison.  The footage, being shot in the eighties and on `non professional' cameras, gives the film a deliberately `raw' feel about it which even the Blair Witch Project can't even match.  Plus you have the music which is both creepy and tranquil at the same time.

As you have probably guessed, the film-makers (on film) meet a grisly end at the hands (and teeth, obviously) of the cannibals in the jungle.  Although, where we probably felt sorry for those behind the camera in Blair Witch and other such films, here the film-makers were pretty horrible.  Some may see that they got what they deserved.

It's hard to `enjoy' this film in a traditional viewing sense.  Yet it remains a deserved lynchpin in the horror genre's history.

Bottom line: for those with strong stomachs ONLY.

7/10 if I woke up on Groundhog Day and had to watch this again, I could live with that

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