If you’ve somehow found yourself watching the 2016 version of ‘Ghostbusters’ you may or may not have noticed some bloke popping up in the middle of the film, only to disappear as quickly. I barely spotted him. In fact, it took me until practically the end of the movie to realise it was Bill Murray, now reduced to a cameo in the film that – arguably – made him a household name. Whatever you think about the ‘Ghostbusters’ remake, after the original he was riding high and one of his follow-up roles (and possibly ‘best’) was as Phil Conners in ‘Groundhog Day.’ If you haven’t watched it then, by now, you’ve probably seen a film that’s – technically – based on it. The formula is a simple, if pretty basic one: a man is literally trapped in a day. No matter what he does, where he goes or who he meets, he simply wakes up the following morning in today. Since ‘Groundhog Day’ I’ve watched this format played out in all sorts of other films or TV programmes – everything from the ‘X-files’ did it, to variants of the genre such as incorporating horror and sci-fi to the mix. However, no matter how fun they were, none have really come close to watching a grown man kidnap a small rodent and take it for a joy ride through a quarry pit in small-town America.

Rumour has it that Murray disagreed with the film-makers as to what sort of film this should be. He wanted it as a deep and emotional study of the human condition when presented with such a situation, whereas the director wanted more of a fluffy family (romantic) comedy. From what I can tell both parties seemed to get their way. Yes, this film could be classed as ‘fun for all the family.’ There’s something for everyone to enjoy. It’s great fun without ever getting too dark to be difficult to explain to younger viewers. However, it does also grant Murray his wish to a degree as, despite its absurd premise, you could argue that it plays out almost exactly how it would if a human was faced with this ‘capture in time.’
I watched ‘Groundhog Day’ when it first came out in the cinema and I’m pleased to say that it’s as good today as it ever was. There are plenty of good supporting cast members, my favourite was Murray’s long-suffering camera man, but this is Murray’s baby. The film sits firmly on his shoulders and he carries it perfectly. Enjoy its numerous imitations, but this will always be the original and best. If only the same could be said about the 2016 ‘Ghostbusters!’ (meow!)
10/10 The Monty Python Knights of Camelot are currently looking for this
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